Mark Dineen’s Work Accepted into Detroit Warehouse Art & Design Fair

Mark Dineen’s work has been accepted into the Detroit Warehouse Art & Design Fair at the Boyer Campbell Building, curated by Bilge Nur Saltik of Form&Seek Design Studio, with an opening reception on September 19. The three-day fair spotlights contemporary work by emerging and mid-career artists in one of Detroit’s iconic industrial spaces.

Suzanne Faris’s Work Featured in Made in Colorado Exhibition

Suzanne Faris was featured in the Made in Colorado biennial exhibition at Emmanuel Gallery in Denver, from June 25 through September 12, 2025. Juried by renowned international curator Larry Ossei-Mensah, the exhibition highlights the diverse and groundbreaking art being created across the state. Faris’s work is included alongside that of fellow artist and colleague Erika […]

Emily Moore and Student Isabel Anderson Research Totem Pole Carvers at Sitka National Historical Park

This summer, Emily Moore was awarded a grant from the National Park Service to document biographies of Tlingit and Haida carvers of totem poles at the Sitka National Historical Park in Sitka, Alaska. The grant also provides for a student research assistant, Isabel Anderson, a CSU art history major. In August, Emily and Isabel spent […]

Catherine DiCesare Reflects on the Power of Community and Routine for Successful Solo Monograph Writing

Art historian Catherine DiCesare shares insights into the challenges and rewards of writing a solo monograph, emphasizing the importance of academic community, structured routines, and steady perseverance. Her reflection offers encouragement and practical advice for scholars navigating long-term research and writing projects. [Read More On the CSU Writes Website]

The Hangman at Home, Hatton Gallery virtual art experience, featured in the Collegian

The award-winning virtual reality immersive artwork, “The Hangman at Home,” has begun its display at the Hatton Gallery at Colorado State University. “The Hangman at Home” is an art piece that is immersive in its VR storytelling and haunting in its poetry. The exhibit is also reflective, as viewers experience the fourth wall breaking throughout the story.